"RETURN OF THE DAD" é um cartão de título de filme em paródia, no estilo do logotipo de Star Wars, para o Dia dos Pais ou uma noite de cinema em família. Letras maiúsculas douradas vazadas em três linhas sobre um céu estrelado, com nebulosa roxa no canto superior direito e barras esticadas no R e no D. Troque as palavras do título por um nome ou uma piada de família para criar a sua versão.

A widescreen 16:9 opening title card for a family home movie. Deep black space fills the frame, with a few hundred tiny crisp white and pale-blue stars of varied sizes scattered unevenly. In the upper right, a faint distant nebula drifts as soft indigo and dusty violet gas with a hint of muted teal, low in contrast and out of focus. Its glow is subtle, so most of the frame stays near-pure black. A gentle dark vignette surrounds the edges. The title "RETURN OF THE DAD" is centred and set in three stacked, centred lines of equal width, in the manner of a 1970s space-opera film title logo: "RETURN" on top, "OF THE" in the middle, "DAD" at the bottom. The letters are heavy, wide, all-capital, and wider than they are tall. They are built only from thick straight bars and true circular arcs of one even weight, with flat square-cut ends and no serifs. Neighbouring letters almost touch. Each letter is a hollow outline: one thick, clean, warm golden-yellow contour line traces the outside of every stroke, and the inside of each stroke is left empty so the black space and faint stars show through. There is no fill, no bevel and no gradient, only a slightly luminous edge with a soft warm glow. The first letter of each line extends its bottom bar flat and straight to the left, and the last letter of each line extends its top bar flat and straight to the right, each about one letter-width beyond the word. The title block spans about 62% of the frame width and about 62% of its height, centred, with generous black margins around it. The three lines are slightly scaled so their widths match. No other text. No characters, no spaceships, no laser swords, no monsters, no logos. The mood is epic, nostalgic and warm, with a quiet humour in the grand scale.