“ROMANS 9:1–5 I SAY THE TRUTH IN CHRIST, I LIE NOT, MY CONSCIENCE ALSO BEARING ME WITNESS IN THE HOLY GHOST, THAT I HAVE GREAT HEAVINESS AND CONTINUAL SORROW IN MY HEART. FOR I COULD WISH THAT MYSELF WERE ACCURSED FROM CHRIST FOR MY BRETHREN, MY KINSMEN ACCORDING TO THE FLESH: WHO ARE ISRAELITES; TO WHOM PERTAINETH THE ADOPTION, AND THE GLORY, AND THE COVENANTS, AND THE GIVING OF THE LAW, AND THE SERVICE OF GOD, AND THE PROMISES; WHOSE ARE THE FATHERS, AND OF WHOM AS CONCERNING THE FLESH CHRIST CAME, WHO IS OVER ALL, GOD BLESSED FOR EVER. AMEN.” is a Cursive Calligraphy text effect efeito de texto criado com a IA da FontVibe. Copperplate formal de pena pontiaguda: forte contraste grosso-fino, letras ovais inclinadas e maiúsculas com floreios, tinta preta nítida sobre papel creme com linhas-guia leves.

Create a vertical 9:16 scripture typographic cut-out, with no objects or setting. Render these exact text blocks, centered and stacked with disciplined hierarchy: Small top line: “ROMANS 9:1–5” Large focal line: “I SAY THE TRUTH IN CHRIST,” Second focal line: “I LIE NOT,” Verse body, smaller but fully legible: “MY CONSCIENCE ALSO BEARING ME WITNESS IN THE HOLY GHOST, / THAT I HAVE GREAT HEAVINESS AND CONTINUAL SORROW IN MY HEART.” Verse body: “FOR I COULD WISH THAT MYSELF WERE ACCURSED FROM CHRIST / FOR MY BRETHREN, MY KINSMEN ACCORDING TO THE FLESH:” Verse body: “WHO ARE ISRAELITES; TO WHOM PERTAINETH THE ADOPTION, / AND THE GLORY, AND THE COVENANTS, AND THE GIVING OF THE LAW,” Verse body: “AND THE SERVICE OF GOD, AND THE PROMISES; / WHOSE ARE THE FATHERS, AND OF WHOM AS CONCERNING THE FLESH CHRIST CAME,” Closing line: “WHO IS OVER ALL, GOD BLESSED FOR EVER. AMEN.” Design every character as formal master-level copperplate calligraphy: consistent 55-degree lean, oval construction, extremely thin luminous upstrokes and broad controlled downstrokes, exact rhythmic spacing, crisp entry and exit strokes. “I SAY THE TRUTH IN CHRIST,” and “I LIE NOT,” are the largest lines, with restrained flourished capitals and long hairline swashes that remain attached to the letterforms. The citation is small-cap calligraphic lettering. Body copy is narrow, evenly ruled formal script, no typeset serif substitute. Letters are bright warm ivory ink with pearl-white wet-edge highlights, pale antique-gold shading inside the thick strokes, and a narrow champagne glow fused directly to each stroke; tiny attached gold ink flecks only at select terminal swashes. Maintain sharp legibility, clean separated lines, symmetrical centered alignment, ample breathing space. No paper, no frame, no background texture, no shadows detached from the lettering, no scenery. Background is a perfectly flat pure BLACK #000000 void with nothing else.