„"La ciudad en que marchaste Las piedras que tire"“ ist ein Grunge-Texteffekt, erstellt mit FontVibe KI. Erpresserbrief-Buchstaben aus verschiedenen Zeitungen geschnitten, mit Klebeband auf rauem Kopierpapier mit Rasterkörnung, eingerissenen Kanten und einem einzigen Punk-Rot-Akzent.

a photocopied punk-zine world. PRINT: everything looks run through a cheap copier and pasted up by hand — coarse halftone dot screens, heavy black ink that bleeds and clogs, low-ink dropout and roller streaks, Xerox speckle and nth-generation blur on raw off-white newsprint and photocopy paper. TEXTURE: torn and scissor-cut paper edges, strips of tape, lifted corners, creases, scratches, smears and spray-paint overspray — the evidence of a hand working under pressure. LIMITED PALETTE: the cheap two-color reproduction palette — high-contrast black ink and raw off-white paper, with one punchy punk RED as the accent (occasionally a hit of acid yellow), printed slightly off-register. ENERGY: a layered cut-and-paste collage grammar, asymmetric and disrupted like a stapled zine. LETTERFORM PRIORITY: when the chosen font carries its own material or treatment (ransom-note collage, riso halftone, distressed, spray, stamp, ink-bleed), that font treatment takes absolute priority and owns the letters; this style governs the paper, print degradation, palette and surrounding collage. FALLBACK MATERIAL: if the font carries no material of its own, print the letters in heavy high-contrast black ink on raw off-white paper with photocopy grain, ink bleed and torn edges, so the grunge zine feel always reads. Create a finished, portrait-format punk-zine poster built around the exact Spanish wording, preserving its accents, capitalization, and quotation marks: “La ciudad en que marchaste / Las piedras que tire“. Break it into two lines as shown, with both lines prominent and the second line slightly larger, forming a forceful central block that occupies most of the sheet’s width. Keep every word fully legible and clearly separated from surrounding collage. Set the poster on raw off-white photocopy paper, with a jagged torn edge and slightly crooked layers of newsprint underneath. Surround the lettering with a sparse, deliberate collage: a torn black-and-white street photograph reduced to coarse halftone, small cut-paper fragments, one strip of translucent tape, and a hard diagonal slash of punk red. Add restrained copier speckle, uneven black ink, faint roller streaks, creases, scratches, and a little red off-register misprint across the paper and image fragments. Keep the center behind the words relatively open so the text leads immediately; let torn scraps and ink marks interrupt the margins rather than obscure the lettering. Asymmetric, hand-pasted, raw and urgent, like a charged underground gig poster—not polished, decorative, or sepia-toned.