“LEYDE & CARLOS 2026” is a Laser Cut text effect efecto de texto creado con FontVibe IA. Mayúsculas sans serif gruesas cortadas en madera de abedul cálida, con bordes de corte quemados y veta visible, en relieve sobre una tabla de nogal oscuro con luz lateral ámbar.

Precision fabrication aesthetic: text exists as physical cut material — not rendered, not painted. The laser kerf is the only boundary: mathematically exact edges, zero roughness. MATERIAL SURFACE RULES: — Wood: warm grain on letter face (birch honey or dark walnut); charred dark seam along every kerf edge; cross-grain cross-section at cut face. Gentle warm transmission through thin sections. — Acrylic: glassy-smooth kerf edges scatter light as luminous halos — frosted emits soft white-blue edge glow; clear creates prismatic edge-light. Face stays matte or polished. — Metal: bright machined cut face against brushed exterior. Raking light reveals mechanical precision and directional grain. — Paper/Organic: bone-clean cut edges casting hairline shadows on backing. Maximum filigree detail preserved. FABRICATION LAWS (all materials): — Enclosed counters (O,D,B,P,R,A) retained by structural bridge connections — thin material tabs turned into design features. — Material thickness always visible as dimensional depth: each letter is a physical slab. — Negative space is real air or backing material showing through. — No added outlines, glow effects, or drop shadows — the kerf edge is the only boundary. FORBIDDEN: graphic fills, smooth gradient fills on letter faces, extruded 3D depth. When no specific material is defined by the font: default lighting — warm amber side light raking from low-left, deep warm shadow on right and behind, dark warm-brown craft-studio background. Physical laser-cut wedding keepsake: 'LEYDE & CARLOS 2026' fabricated from a single thick dark-walnut slab resting on warm ivory linen stationery. Rich walnut face shows tightly resolved natural grain; every letter boundary is a mathematically clean laser kerf with a narrow charcoal-black char seam and visible cross-grain cut faces. The material has measurable 6 mm slab thickness, revealed by fine warm shadows along the lower-facing cut walls. Enclosed letter counters remain intact through delicate structural bridge tabs, integrated as intentional joinery details. Negative spaces are genuine cut-through openings, exposing the woven linen backing beneath. Low amber side light rakes across the walnut from the left, catching subtle directional grain and defining crisp hairline kerf shadows without graphic outlines or artificial glow. Surrounding details remain restrained: a few dried ivory baby's-breath stems, pale eucalyptus leaves, and a narrow raw-silk ribbon blurred at the frame edges. Linen fibers, wood pores, charred seams, bridge connections, and physical cut depth are sharply resolved on the typography; all peripheral botanical elements fall into soft focus. No printed ink, no painted fill, no extruded type, no gradient effects.