“東慶丸”是使用 FontVibe AI 创作的日本水墨毛笔文字效果。把日本书道的水墨毛笔笔法用到拉丁字母上。浓黑的墨汁配上地道的毛笔笔势、单向可控的运笔，还有和纸的质感。做日料店品牌、纹身设计、动漫、武道和文化类项目都特别合适。

Create a vertical 3:4 Japanese shop window poster for a matcha shop. Warm cream-white handmade washi paper fills the canvas, with visible natural paper fibers and soft diffuse north-facing studio light; no cast shadows, no glossy effects. Use a quiet asymmetric zen composition with over half the page left as clear breathing space. At upper left, set the small brushed-ink line 「一服の静けさ」 in delicate grey sumi strokes. In the central-left 55% of the page, render the headline 「抹茶」 extremely large in two stacked Japanese shodo display letterforms: upright, authoritative master-calligraphy construction, bold 5:1 thick-to-thin contrast, dense matte black pigment concentrated in each stroke center, softly absorbed feathered edges, minute dry-brush texture only at outer contours, committed loaded-brush entries and long precise harai exit tapers. This is the visual focal point. At lower left beneath the title, add three restrained small lines, clearly legible: 「石臼挽き・宇治抹茶」, 「毎日 10:00–18:00」, 「MATCHA 月影堂」. Place a small vermilion square hanko seal at the lower-right of this copy, containing 「月影」. On the right lower third, include one tactile hero subject: a low handmade charcoal-black chawan filled with opaque jade-green matcha, viewed slightly from above. A fine bamboo chasen rests diagonally beside it; its pale bamboo tines remain understated. One broad grey-black sumi brush sweep begins behind the bowl, curves upward toward the title, then fades as the ink load depletes. A few controlled ink flecks appear only at the sweep entry. Keep the bowl small enough that the lettering remains dominant. Palette: warm washi cream, near-black sumi, diluted ash-grey, jade matcha green, one vermilion seal accent. No ornamental patterns, no neon, no photorealistic café interior, no uniform black strokes. Create a vertical 3:4 Japanese shop window poster for a matcha shop. Warm cream-white handmade washi paper fills the canvas, with visible natural paper fibers and soft diffuse north-facing studio light; no cast shadows, no glossy effects. Use a quiet asymmetric zen composition with over half the page left as clear breathing space. At upper left, set the small brushed-ink line 「一服の静けさ」 in delicate grey sumi strokes. In the central-left 55% of the page, render the headline 「東慶丸」 extremely large in two stacked Japanese shodo display letterforms, arranged 「東慶」 above 「丸」: upright, authoritative master-calligraphy construction, bold 5:1 thick-to-thin contrast, dense matte black pigment concentrated in each stroke center, softly absorbed feathered edges, minute dry-brush texture only at outer contours, committed loaded-brush entries and long precise harai exit tapers. This is the visual focal point. At lower left beneath the title, add three restrained small lines, clearly legible: 「石臼挽き・宇治抹茶」, 「毎日 10:00–18:00」, 「MATCHA 月影堂」. Place a small vermilion square hanko seal at the lower-right of this copy, containing 「月影」. On the right lower third, include one tactile hero subject: a low handmade charcoal-black chawan filled with opaque jade-green matcha, viewed slightly from above. A fine bamboo chasen rests diagonally beside it; its pale bamboo tines remain understated. One broad grey-black sumi brush sweep begins behind the bowl, curves upward toward the title, then fades as the ink load depletes. A few controlled ink flecks appear only at the sweep entry. Keep the bowl small enough that the lettering remains dominant. Palette: warm washi cream, near-black sumi, diluted ash-grey, jade matcha green, one vermilion seal accent. No ornamental patterns, no neon, no photorealistic café interior, no uniform black strokes.