Um pôster de cinema intitulado "THE LAST TRAIN" em estilo noir preto e branco. Uma mulher de casaco escuro e cachecol vermelho está de costas numa plataforma molhada pela chuva, com trilhos e postes de luz ao fundo e maiúsculas altas e finas abaixo. Refaça com seu próprio título, slogan, diretor e elenco.

Create a finished vertical indie short-film poster, 2:3. A grainy black-and-white photograph fills the upper 70%: one woman alone on a completely empty railway platform at night, seen from behind in three-quarter view, close enough to read as the clear subject. Her single deep-red scarf is the only color in the entire image. Hard light from one side catches the edge of her face, wet hair, coat, and scarf; the other side falls into crushed black. Rain-dark platform tiles catch broken white reflections, with the tracks and a few blurred station lights receding into darkness. Visible pushed-film grain across the whole image and a soft dark vignette at the corners. No train, no other people, no logos. Anchor the typography in the lower portion, leaving the atmospheric photograph dominant above. Set the exact title “THE LAST TRAIN” large and centered in compressed, high-contrast serif capitals: tall narrow proportions, dominant white vertical strokes, hairline horizontals, sharp unbracketed serifs. Let the thin strokes recede into shadow while the main strokes catch the hard light. Keep all type crisp and readable against a near-black lower field. Below it, in smaller refined capitals, set “The platform is empty. The past is not.” At the very bottom, set the small but legible credit line “WRITTEN & DIRECTED BY ELLIS VALE · STARRING MAYA REED”. Maintain clear breathing room between tiers. No other text, decorative frame, extra color, or added objects.