“EVENSONG at Saint Brigid SUNDAY · SEPTEMBER 13, 2026 · 6:00 PM SAINT BRIGID CHAPEL ALL ARE WELCOME”是使用 FontVibe AI 创作的哥特字体文字效果。严谨的 Textura 哥特黑体：窄长的折笔、菱形笔端和强烈粗细对比，黑墨带金色描边，写在深色旧羊皮纸上。

Create a finished vertical chapel-event poster, 3:4. Exact rendered text, preserve spelling and punctuation: Primary headline, upper centre: “EVENSONG” Secondary line beneath: “at Saint Brigid” Service detail: “SUNDAY · SEPTEMBER 13, 2026 · 6:00 PM” Venue line: “SAINT BRIGID CHAPEL” Small closing line: “ALL ARE WELCOME” Use hand-drawn Insular Half-Uncial manuscript lettering: wide generous forms, tall x-height, rounded broad-nib quill strokes at a natural pen angle, moderate thick-thin transitions, open counters, flowing organic arches, and slightly irregular hand-rendered edges. “EVENSONG” spans 68% of the canvas width in two centred lines if needed, dark warm-black ink with faint feathering into parchment fibres. Add thin, restrained burnished-gold ink illumination only to the initial E and selected terminal accents; no metallic 3D type. “at Saint Brigid” is smaller but prominent, in the same rounded uncial hand. Stage the typography on a deep charcoal umber parchment sheet with visible deckled paper grain, faint horizontal vellum fibres, and an inset double-line manuscript border in muted gold. The background remains flat and print-like, not a cathedral interior: no fog, no cobwebs, no rust, no stone floor. At the lower centre, place a small hand-painted Celtic knot cross within a thin circular gold rule, as the sole decorative motif. Use precise symmetrical spacing: top 12% breathing room; headline block from 18% to 48%; secondary from 51% to 59%; a thin gold divider; details from 67% to 79%; welcome line at 87%. Warm raking light catches the uneven gold ink and parchment embossing. High-resolution letterpress and illuminated-manuscript finish, crisp legible text, no extra words, no logos.