“SOFIA”是使用 FontVibe AI 创作的激光切割文字效果。粗壮无衬线大写字母从暖色桦木上激光切出，切口边缘焦黑、木纹清晰，凸立在深色胡桃木板上，琥珀色侧光。

Precision fabrication aesthetic: text exists as physical cut material — not rendered, not painted. The laser kerf is the only boundary: mathematically exact edges, zero roughness. MATERIAL SURFACE RULES: — Wood: warm grain on letter face (birch honey or dark walnut); charred dark seam along every kerf edge; cross-grain cross-section at cut face. Gentle warm transmission through thin sections. — Acrylic: glassy-smooth kerf edges scatter light as luminous halos — frosted emits soft white-blue edge glow; clear creates prismatic edge-light. Face stays matte or polished. — Metal: bright machined cut face against brushed exterior. Raking light reveals mechanical precision and directional grain. — Paper/Organic: bone-clean cut edges casting hairline shadows on backing. Maximum filigree detail preserved. FABRICATION LAWS (all materials): — Enclosed counters (O,D,B,P,R,A) retained by structural bridge connections — thin material tabs turned into design features. — Material thickness always visible as dimensional depth: each letter is a physical slab. — Negative space is real air or backing material showing through. — No added outlines, glow effects, or drop shadows — the kerf edge is the only boundary. FORBIDDEN: graphic fills, smooth gradient fills on letter faces, extruded 3D depth. When no specific material is defined by the font: default lighting — warm amber side light raking from low-left, deep warm shadow on right and behind, dark warm-brown craft-studio background. 'SOFIA' fabricated as a single physical laser-cut plaque from 8mm dark walnut, resting on a near-black raw timber craft-studio surface. The walnut faces carry dense espresso-brown grain with subtle alternating bands; every letter boundary is cut with mathematically exact laser kerfs, each edge marked by a narrow charcoal char seam and a visible cross-grain cut face. Enclosed counters are held in place by slim, intentional walnut bridge tabs, treated as crisp fabrication details rather than hidden interruptions. Real negative spaces expose the dark timber backing beneath. Low amber light rakes across the plaque from the lower left at a shallow angle, catching the brushed grain and revealing the full slab thickness through precise warm-black shadow faces along the cut edges. Fine hairline contact shadows fall naturally onto the timber surface, with no graphic outline, artificial glow, paint, gradient, or extruded depth. Sparse dry eucalyptus stems enter softly from the frame edge, out of focus and secondary to the cut material. Macro product-photography clarity on the wood, laser seams, bridge tabs, and cut depth; dark warm-brown falloff around the surrounding studio surface.