“RISE UP PEOPLE BEFORE PROFIT MARCH FOR HOUSING, DIGNITY & A FUTURE SATURDAY 19 SEPTEMBER 2026 ASSEMBLE 12 NOON · CITY HALL STEPS BRING A SIGN. BRING A FRIEND. ALL OF US”是使用 FontVibe AI 创作的Grunge 垃圾摇滚文字效果。从各式报纸字剪下拼成的勒索信字母，用胶带贴在影印粗纸上，带半调噪点、撕边和一抹朋克红。

Create a print-ready 2:3 vertical protest flyer in a raw photocopied punk-zine collage language. The full sheet is warm raw off-white newsprint, visibly creased and smudged, with coarse black halftone dot fields, Xerox speckle, faint roller streaks, low-ink dropout and rough photocopy blur. Limited two-color printing only: dense black ink and one punchy punk red, deliberately offset by 1–2 mm in selected elements. Set exact readable text as separate pasted ransom-note cutouts, never a clean typeset font. Main headline in the center, filling 68% of the width across two irregular lines: “RISE” then “UP”. Every character is a different clipped black-and-off-white printed fragment: mismatched condensed sans, slab serif, grotesk, typewriter and stencil shapes; jagged scissor-cut contours, unequal baselines, slight rotations from -7 to +8 degrees. The letters are black ink on torn off-white scraps, with heavy paint-peel cracks, scratch marks and edge erosion, while remaining legible. Add rough punk-red offset shadow fragments behind several characters. Top-left, small black label on a torn strip: “PEOPLE BEFORE PROFIT”. Beneath the headline, a wide black ink band with reversed off-white text: “MARCH FOR HOUSING, DIGNITY & A FUTURE”. Bottom third is a hand-pasted information block: “SATURDAY 19 SEPTEMBER 2026” large black, then “ASSEMBLE 12 NOON · CITY HALL STEPS” and “BRING A SIGN. BRING A FRIEND.” in smaller cutout strips. Add a small red circular stamp at lower right reading “ALL OF US”. A hero subject block sits behind and below the title: a high-contrast black photocopied crowd of raised hands and cardboard protest signs, cropped at chest level, with no readable sign text. Use torn paper overlaps, two diagonal masking-tape strips, black ink splatter, a red spray-painted upward arrow, and a few staple marks. Asymmetric cut-and-paste arrangement, broad off-white margins, no polished gradients, no sepia, no corporate styling. Flat scanned-print lighting, imperfect physical paper layers, crisp readable hierarchy.