“박승진” is a Laser Cut text effect 使用 FontVibe AI 创作的文字效果. 粗壮无衬线大写字母从暖色桦木上激光切出，切口边缘焦黑、木纹清晰，凸立在深色胡桃木板上，琥珀色侧光.

Precision fabrication aesthetic: text exists as physical cut material — not rendered, not painted. The laser kerf is the only boundary: mathematically exact edges, zero roughness. MATERIAL SURFACE RULES: — Wood: warm grain on letter face (birch honey or dark walnut); charred dark seam along every kerf edge; cross-grain cross-section at cut face. Gentle warm transmission through thin sections. — Acrylic: glassy-smooth kerf edges scatter light as luminous halos — frosted emits soft white-blue edge glow; clear creates prismatic edge-light. Face stays matte or polished. — Metal: bright machined cut face against brushed exterior. Raking light reveals mechanical precision and directional grain. — Paper/Organic: bone-clean cut edges casting hairline shadows on backing. Maximum filigree detail preserved. FABRICATION LAWS (all materials): — Enclosed counters (O,D,B,P,R,A) retained by structural bridge connections — thin material tabs turned into design features. — Material thickness always visible as dimensional depth: each letter is a physical slab. — Negative space is real air or backing material showing through. — No added outlines, glow effects, or drop shadows — the kerf edge is the only boundary. FORBIDDEN: graphic fills, smooth gradient fills on letter faces, extruded 3D depth. When no specific material is defined by the font: default lighting — warm amber side light raking from low-left, deep warm shadow on right and behind, dark warm-brown craft-studio background. Physical laser-cut Korean text '박승진' fabricated from a single 8mm dark walnut slab, resting against a dark warm-brown timber craft-studio backing. The Hangul characters retain every enclosed counter through slender, deliberate structural bridge tabs integrated into the cut geometry. Warm walnut face grain runs continuously across the characters, with fine pores and alternating brown grain bands visible under raking illumination. Every laser kerf is mathematically clean, bordered only by a narrow charcoal-black char seam; the exposed cut faces reveal crisp cross-grain wood fibers and the full slab thickness. Real negative spaces open through the material to the timber backing beneath, producing narrow, sharply defined shadow channels. A low-left amber side light at a shallow 15-degree angle reveals machined precision, illuminated wood grain, and deep warm shadows along the right-facing slab edges. The surroundings remain sparse: dark timber surface, faint sawdust-free workshop texture, restrained falloff into near-black at the frame perimeter. No printed ink, graphic fill, artificial outline, glow, extrusion, or decorative objects; the physical cut material and its exact kerf boundaries are the sole focal point.