“DEAD FREQUENCY SIGNAL LOST NO CARRIER • NO RETURN”是使用 FontVibe AI 创作的故障 Glitch文字效果。白色无衬线大写字母被红青通道错位撕开，横向位移切片和扫描线贯穿，倒映在夜里湿漉漉的霓虹街道上。

Create a finished square album cover for the industrial band Signal Lost. Make it feel like a failed transmission inside a vast, abandoned industrial switching hall: a battered horn loudspeaker and relay equipment loom in the center, threaded with thick cables; distant concrete bays recede into near-black. Cold charcoal and steel-grey surfaces, sparse warning-red reflections and cyan-white phosphor glints, controlled digital corruption, no analog film grain, no smooth gradients, no decorative cyberpunk excess. Set the exact text, with no other lettering: the headline “DEAD FREQUENCY” large in the lower third, split across two lines; “SIGNAL LOST” smaller at the top; and “NO CARRIER • NO RETURN” as a compact footer near the bottom edge. Make all text crisp enough to read. Build the letterforms as heavy condensed display capitals with tight spacing and squared terminals. Their strokes are partially obscured by dense irregular white, grey, and black static pixels covering about 30–40% of the stroke area; add a few horizontal bands of pure static. Apply authentic red channel echoes shifted 5–8 pixels left and cyan echoes shifted 5–8 pixels right on every letter edge, dense rhythmic horizontal CRT scanlines across all text, and 3–5 sharp rectangular pixel chunks displaced 10–25 pixels sideways at varied heights along the lettering. Add a restrained cyan-white phosphor bloom at letter edges. Keep these effects legible and controlled, not a noise flood. Spatial layout: artist name centered in a narrow top zone; central loudspeaker and relay assembly occupies the middle, with breathing space around it; the two-line headline spans most of the lower third; footer is small and centered beneath it. Strong album-cover hierarchy, tactile concrete and oxidized metal, deep black negative space, restrained red/cyan accents. No logos, borders, extra labels, or additional text.