“PUNK DAY” es un efecto de texto Grunge creado con FontVibe IA. Letras de nota de rescate recortadas de distintos periódicos, pegadas con cinta sobre papel fotocopiado tosco con moteado de semitono, bordes rasgados y un único acento rojo punk.

a photocopied punk-zine world. PRINT: everything looks run through a cheap copier and pasted up by hand — coarse halftone dot screens, heavy black ink that bleeds and clogs, low-ink dropout and roller streaks, Xerox speckle and nth-generation blur on raw off-white newsprint and photocopy paper. TEXTURE: torn and scissor-cut paper edges, strips of tape, lifted corners, creases, scratches, smears and spray-paint overspray — the evidence of a hand working under pressure. LIMITED PALETTE: the cheap two-color reproduction palette — high-contrast black ink and raw off-white paper, with one punchy punk RED as the accent (occasionally a hit of acid yellow), printed slightly off-register. ENERGY: a layered cut-and-paste collage grammar, asymmetric and disrupted like a stapled zine. LETTERFORM PRIORITY: when the chosen font carries its own material or treatment (ransom-note collage, riso halftone, distressed, spray, stamp, ink-bleed), that font treatment takes absolute priority and owns the letters; this style governs the paper, print degradation, palette and surrounding collage. FALLBACK MATERIAL: if the font carries no material of its own, print the letters in heavy high-contrast black ink on raw off-white paper with photocopy grain, ink bleed and torn edges, so the grunge zine feel always reads. A raw off-white photocopied zine sheet built around the exact text “PUNK DAY” as the dominant visual payload. Heavy black ink saturates the text with clogged edges, uneven ink bleed, low-toner dropout, coarse Xerox grain and nth-generation copy blur; a slightly misregistered punk-red duplicate peeks from selected edges. Surrounding paper fragments are scissor-cut and torn, with curled fibers, rough paste marks, visible crease lines and a short strip of cloudy clear tape catching a thin glare. Coarse halftone dot fields, black spray-paint overspray, roller streaks, smudged fingerprints and irregular ink splatters build a disrupted cut-and-paste collage around the words without competing with their readability. Raw newsprint shows through in warm off-white fibers, faint gray copier shadows and tiny black specks. A jagged red paint slash and sparse acid-yellow registration marks puncture the black-and-paper palette. Keep the print physically imperfect: offset layers, scratched toner, rubbed corners, lifted paper edges and pressure-worn photocopy artifacts. High-contrast black, raw off-white and punk red only, with asymmetric stapled-zine poster density and hard-edged photocopy reproduction.