„DRÍO“ ist ein Geometrisch-Texteffekt, erstellt mit FontVibe KI. Bauhaus-Versalien aus Kreisen, Quadraten und geraden Strichen in flachem Rot, Blau, Gelb und Schwarz, die wie massive Bausteine im harten Oberlicht stehen.

Bauhaus geometric environment: hard overhead directional light — single cold-white source, zero ambient scatter, ruler-sharp geometric shadow edges below all forms. Background plane is architecturally flat: pure black void, deep matte concrete, or stark white plaster. No depth haze, no organic texture, no atmospheric bokeh. Scene vocabulary: Bauhaus workshop geometry, De Stijl primary-color planes, Constructivist poster surface, Swiss grid precision. Primary color atmosphere (always active): flat geometric primary-color planes — signal red, cobalt blue, cadmium yellow — appear as background architectural blocks or compositional color bars alongside the letterforms. Zero gradient, zero sheen. When no specific material is defined by the font: letterforms rendered with Bauhaus primary color flat-paint treatment — each letter one vivid matte hue cycling across the primary palette: signal red, cobalt blue, cadmium yellow, flat black. Hard 45-degree isometric extrusion with pure-black side wall, depth 25% of letter height. Flat matte acrylic surface, zero sheen. Sharp machined edge between color face and extrusion wall. 'DRÍO' dominates a square Bauhaus composition, centered slightly above the midpoint and occupying nearly 80% of the frame. Each letter is a separate flat-painted primary-color block: signal red, cobalt blue, cadmium yellow, and flat black, with crisp matte acrylic faces and hard 45-degree isometric extrusions in absolute black, each side wall one-quarter of the letter height. The accent on Í is treated as a precise small cobalt geometric bar, aligned to the Swiss grid. Background is a deep matte charcoal concrete plane with no texture variation, cut by a large vertical cobalt-blue rectangle at left and a cadmium-yellow horizontal bar crossing the lower third behind the text. A small signal-red square locks the upper-right negative space. Single cold-white overhead directional light casts ruler-sharp, dark diagonal shadows directly down and right from every extruded form. Front-facing orthographic composition, exact margins, disciplined spacing, no reflections, no gradients, no haze, no organic detail. The effect is a bold Constructivist identity mark in a Bauhaus workshop: dry, architectural, graphic, and meticulously measured.