“SIGNAL LOST DEAD FREQUENCY NO SIGNAL. NO RETURN. INDUSTRIAL TRANSMISSION” is a Glitch text effect Texteffekt erstellt mit FontVibe KI. Weiße serifenlose Versalien, aufgerissen durch rote und cyanfarbene Kanalversätze, durchschnitten von horizontalen Verschiebungen und Scanlines, gespiegelt auf nasser Neonstraße bei Nacht.

Create a finished square 1:1 industrial music album cover, rendered as a high-detail physical-digital composite. Text must be exact and readable; use only these printed strings: “SIGNAL LOST” (largest artist name, upper third), “DEAD FREQUENCY” (album title, prominent beneath the artist name), “NO SIGNAL. NO RETURN.” (small supporting line), and “INDUSTRIAL TRANSMISSION” (small bottom label). Set “SIGNAL LOST” and “DEAD FREQUENCY” in custom heavy, condensed display lettering with narrow proportions, squared terminals, compact apertures, and tight spacing. Render the glyph strokes as analog television static: irregular white, gray, and black pixel fragments obscure approximately 30–40% of each stroke, with a few horizontal static bands cutting through the forms; retain clear underlying letter shapes and legibility. Across the text, add controlled RGB channel separation: red copies shifted 5–8 px left, cyan copies 5–8 px right, dense horizontal CRT scanlines spaced 3–4 px, and 3–5 sharp rectangular pixel chunks displaced 10–25 px horizontally at different letter heights. Add subtle cyan-white phosphor bloom at letter edges. Keep this corruption deliberate, with no noise flood and no cartoon effects. Build a centered, square cover composition with generous outer margins and clear separation between text tiers. Place “SIGNAL LOST” across the upper 22% of the canvas; set “DEAD FREQUENCY” as the dominant central title, broken across two balanced lines if needed; place “NO SIGNAL. NO RETURN.” below it and “INDUSTRIAL TRANSMISSION” as a small footer. Behind and between the title blocks, show a full-size decommissioned industrial relay cabinet as the subject: dented blackened steel housing, rows of dead toggle switches, a cracked convex CRT glass face with a thin red/cyan interference trace, and thick cables descending into darkness. Treat the cabinet as a tactile photographed object, not an illustration. Use a near-black digital void, charcoal steel, dirty off-white static, signal red, and cyan. Hard frontal light grazes the cabinet edges; a narrow cyan-white rim traces the glass and metal, with restrained red spill on the opposite side. Add scanlines to the text surfaces and a few aligned interference fragments in the surrounding field. High contrast, precise edge detail, layered depth, controlled bloom, no extra text, no logos, no borders, no mockup.