黒いケルト結び文様のレタリングで書かれた名前「Aoife」を、白地に輪郭線で描いたタトゥー用の線画。各文字は上下に交差する帯を編み込んで作られ、Aとfにはトリケトラの先端、oには輪状の結び目、iの上には小さな結び目の点、渦巻き状に巻いた端があり、一行に並ぶ。自分の名前に差し替えたり、線の色を変えたりできる。

A tattoo reference design: the single name "Aoife" in Celtic knotwork lettering, centred on a plain warm-white paper ground, flat and evenly lit. Render only this word, with no other text, border or decoration. Each of the five letters (A, o, i, f, e) is built from interlaced ribbon bands with real width. The bands weave over and under at every crossing, forming continuous unbroken loops. Draw the ribbons as bold, uniform-weight jet-black outlines with clean white interiors, so each band reads as a hollow ribbon. At each over-under crossing leave a clear white gap in the underpass band. Keep the gaps between strokes and between letters open and generous, at least as wide as the outline weight, so nothing blurs together on skin. Make the capital A taller and more elaborate, with a pointed apex formed by two crossing ribbons and a woven crossbar. The lowercase o, i, f and e are compact knotted rounds, and the f has a looping ascender. The i dot is a small knot circle. Terminals end in tidy spiral curls or small triquetra points. The letter skeleton must stay legible beneath the weave, so the word reads clearly as Aoife at a glance. The word spans about 80% of the canvas width and sits on a horizontal baseline at the vertical centre, with wide empty margins on all sides. The look is crisp vector-like black linework with no gradient, no shadow, no texture, no glow, no stone or leather relief and no colour. It must be easy for an artist to trace stroke by stroke and make a stencil from.