羽を広げたチョウと、左上の羽の内側に細いスクリプト体で書かれた名前「Ana」を、細い輪郭線で描いたタトゥーデザイン。細い翅脈が各羽を横切り、外縁には小さな点の列が沿い、先端が丸い2本の触角が細い胴体から伸びる。名前や点、線の太さを替えて、自分のデザインにできる。

A fine line tattoo design reference on a flat pure white background: a single delicate butterfly seen from above with its wings spread, in a gentle three-quarter tilt rising slightly to the right, sized to sit along a collarbone. The whole piece is drawn in pure black ink linework of one consistent thin weight, with no shading, no grey wash, no fill and no colour. Both wings are symmetrical in outline. The upper wings are large and rounded, the lower wings are smaller and teardrop-shaped. Each wing has a few simple open vein lines radiating from the body and a single row of small, well-spaced dots along the outer edge. The body is a slim elongated oval with a small round head and two fine curved antennae ending in tiny open circles. Every line is separated from the next by a clear gap, with no tight clusters and no overlapping hatching, so the design stays legible when small. Along the inner edge of the left upper wing, the word "Ana" is written in a slim monoline cursive script with open loops, a gentle forward slant and generous letter spacing. The capital A has one graceful entry stroke and a small tail, and the letters join with plain thin connectors. The name follows the curve of the wing edge. It stays inside the wing outline without touching the veins, in the same line weight as the butterfly. The composition is centred with wide white margins on all sides, and everything stays well inside a safe border. The finish is clean, flat, high-contrast black on white, like a printed stencil, with no paper texture, no shadows, no skin mockup and no extra text.