「THE SIGNAL」は、暗いノワール調のワイドスクリーン映画・シリーズ用タイトルカードです。シャンパンゴールドの細い字間広めのセリフ体の大文字が、雨に濡れた通りの上に浮かび、孤独な人影、灯る街灯、霧に消える街並みが広がります。自分のタイトル、サブタイトル、クレジットに差し替えたり、シーンや色調を変えたりして作り直せます。

Widescreen cinematic opening title card for a thriller, ultra-wide frame with thin pure black letterbox bars at top and bottom. Scene: an empty rain-soaked city street at night, seen from low at street level in one-point perspective. Wet asphalt mirrors everything in long smeared reflections. A single tall iron streetlamp stands left of centre, its sodium-amber light blooming with soft halation and cutting through falling rain and low haze as volumetric shafts. A thin horizontal anamorphic flare streak crosses the lamp. Dark brick and concrete buildings recede into blackness with a few out-of-focus bokeh windows in cold teal. One lone silhouetted figure stands far down the street, small and still, beneath the edge of the light. Colour grade: deep rich blacks, steel-blue and teal shadows, desaturated, with one warm amber accent from the streetlight only. Fine 35mm film grain, shallow depth of field, gentle dark vignette. Title: the words "THE SIGNAL" set alone in the lower third, centred, in all capitals. The letterforms are tall compressed high-contrast Didone serifs with near-hairline horizontal strokes, heavy vertical stems, and sharp unbracketed serifs with precision-cut terminals. The letters are brushed pale steel-silver with a cool off-white face. The amber streetlight catches a thin rim along their top edges and the thick stems, while the hairlines sink into shadow. Faint wet reflection of the title on the street below. Wide, generous letter-spacing. The title spans about 40% of the frame width. Rain haze drifts softly across it. Lots of dark negative space around the title. No other text.