「overattlam」は、ハロウィンを舞台にした、錆と血のりの質感を持つホラー風のタイトルグラフィックです。使い古された金属の文字が錆びたレールに一列に吊り下がり、下水トンネルの暗い水面の上で、裸電球ひとつに照らされ、一文字から血が滴っています。タイトルをご自身の名前や言葉に差し替え、トンネル、カボチャ、血の表現をイベントに合わせて変更できます。

Cinematic horror movie title typography. The scene dominates -- letterforms exist inside a complete horror world, not placed in front of a background. CINEMATIC HORROR RULES (apply to every shot): - Single light source. Psychologically wrong origin: a bulb too dim, daylight too harsh, a glow with no identifiable source. One light. Hard edges. - Extreme tonal contrast: deep shadow occupies at least 60% of the frame. The darkness is not empty -- it contains the threat. - Negative space is active: what is NOT shown is more frightening than what is shown. Leave room for the unseen. - The camera angle is wrong: slightly too low, too close, or canted in a way that creates unease. - NOT balanced composition. NOT safe. NOT studio light. NOT neutral background. ATMOSPHERE: physical presence, not decorative effect. Fog has weight and source. Dust is disturbed by something. The air itself carries wrong information. LETTER SURFACE FALLBACK (when font defines no specific material): Letters carry the evidence of horror -- surfaces show dried blood seepage along crack lines, rust oxidation staining, decay marks, or age damage. NOT clean. NOT neutral. The letters have been through something. A flooded underground tunnel at Halloween night — black water covers the floor, perfectly still, mirroring a single bare incandescent bulb dangling from a corroded chain at mid-frame, its filament burning sickly amber-yellow, the only light source. 'o̶̲̅v̶̲̅e̶̲̅ra̶̲̅t̶̲̅l̶̲̅a̶̲̅m̶̲̅' in massive horror letterforms fills the frame width, the strikethrough bars and underline brackets rendered as rusted rebar rods driven through each character — iron-black, flaking with orange rust oxidation. Letter surfaces: cracked and corroded, dried dark crimson blood seepage pooling along every horizontal crack line, blackened at the edges where rot has set in. The barred diacritic overlays cast hard shadow bands across each glyph, fragmenting the text into caged, imprisoned forms. Fog rolls in low from the tunnel depth — it has weight, disturbed by something unseen just beyond the light cone. Dead carved pumpkins slumped against the tunnel walls, their glow extinguished, rotting orange skin collapsed inward. Camera angle: slightly too low, canted three degrees, close enough that the letterforms break the top of frame. Deep shadow occupies 65% of the image. The reflected letters in the black water below are fractured, incomplete — as if the mirror refuses to show the full name. One drip of viscous dark liquid falls from the final letterform, mid-fall, caught in the amber light as a single wet amber-crimson bead. Pure horror movie title card.