“PUMA PUNKU” is a Sand Stone text effect FontVibe AIで作成した文字エフェクト. 暖かな砂岩に深く彫ったローマン風セリフ体大文字。V字の彫り溝が琥珀色の斜光をとらえ、岩肌には堆積層の筋.

Text exists as an irreversible physical mark in ancient earth material — carved stone, incised desert varnish, or painted adobe plaster. Not digitally rendered. MATERIAL TRACKS: — Classic Stone / Bas-Relief: warm stone face; iron oxide banding shifts from cream-beige at fresh chisel cuts to amber-ochre across weathered exterior; V-cut groove interiors filled with warm amber shadow; fresh-cut sections reveal lighter stone against darker aged surface — color contrast defines dimensional depth. — Desert Sandstone: amber-ochre to rose-red stone body; horizontal sedimentary grain lines; micro-pitting from wind erosion; fine quartz sand at letter bases. — Petroglyph / Varnish Stone: near-black desert varnish patina on rock; scratch channels cut through to pale tan unweathered stone — high contrast between pale interior and dark patina. — Adobe / Painted Earth: sun-baked buff terracotta plaster; warm red-ochre to burnt sienna pigment; sand aggregate and trowel marks visible through thin paint; hairline drying cracks at pigment edges. STONE LAWS (all tracks): — Low-angle raking sidelight from left at 15–25° grazes every surface — reveals grain, carving depth, micro-texture, patina unevenness. — Geological color palette: cream-beige / amber-ochre / warm sienna / burnt umber / terracotta red / iron brown. No cool tones. — All surfaces carry age: patina, oxidation staining, erosion pitting, mineral banding. — Cut and incised sections always expose lighter, fresher material against dark weathered exterior. FORBIDDEN: neon, digital glow, chrome, smooth modern surfaces, gradient fills, drop shadows, cool tones. When no specific material is defined by the font: default environment — warm amber raking sidelight from lower-left at 20° angle, deep amber-brown shadow pools in surface recesses, dark desert earth background. Archaeological close-up of the exact text “PUMA PUNKU” as monumental interlocking stone inscription cut into a single weathered Andean sandstone slab. The letters carry precision-fitted megalithic geometry: deep V-cut channels, stepped recesses, small angular notches, and sharply carved internal planes, while remaining visibly hand-worked through uneven chisel traces. Amber-ochre sandstone shifts through rose terracotta, burnt sienna, iron brown, and cream-beige along exposed fresh-cut edges. The untouched exterior is darker with iron-oxide staining, wind erosion micro-pits, mineral streaks, sedimentary grain lines, and hairline fractures. Every carved channel reveals pale unweathered stone beneath the darker desert patina, with dense warm amber-brown shadow pools in the deepest recesses. Fine quartz sand gathers in joints and at the foot of the inscription; scattered weathered stone fragments merge into a dark desert-earth ground plane. Low-angle warm amber raking sidelight from the lower left at 20 degrees grazes the slab, defining every incision, chipped edge, grain ridge, and oxidized surface variation. No modern objects, no digital finish, no paint, no cool hues. High-detail archaeological stone study, physical ancient-earth material, tactile depth, geological color palette.