「BURIED CITIES AN EXHIBITION OF LOST URBAN WORLDS MUSEUM OF ANCIENT EARTH OCTOBER 3, 2026 — JANUARY 18, 2027 NORTH GALLERY · 10 AM–6 PM」は FontVibe AI で作成した砂と石の文字エフェクトです。暖かな砂岩に深く彫ったローマン風セリフ体大文字。V字の彫り溝が琥珀色の斜光をとらえ、岩肌には堆積層の筋。

Create a finished tall 2:3 museum exhibition poster, a single physical archaeological slab filling the entire frame. No modern objects, no digital rendering language. The surface is warm desert sandstone with amber-ochre, cream-beige, burnt sienna and iron-brown mineral bands; horizontal sedimentary grain runs across the whole poster, with wind-eroded micro-pits, oxidation stains, and fine quartz sand settled along the bottom of each incision. A warm amber raking sidelight enters from lower left at 20 degrees, grazing every surface; recesses hold deep amber-brown shadow, fresh chisel cuts are pale cream-beige against the darker weathered patina. No cool tones. Exact text, all carved directly into the stone, centered: small top line: “AN EXHIBITION OF LOST URBAN WORLDS” main headline, dominant, two lines: “BURIED” / “CITIES” small lower detail lines: “MUSEUM OF ANCIENT EARTH” / “OCTOBER 3, 2026 — JANUARY 18, 2027” / “NORTH GALLERY · 10 AM–6 PM” Layout: a narrow 10% stone margin on every edge. The top line sits at y=10%, compact and widely tracked. “BURIED” begins at y=23% and “CITIES” at y=43%, occupying 72% of total poster height and 82% width. The two headline lines are monumental classical Roman square capitals, custom carved Capitalis Monumentalis: broad M and W logic, narrow I, rhythmically varied widths, moderate thick-thin contrast, deep V-cut channels, flared wedge serifs. Letter faces retain intact weathered sandstone; the beveled V-cut walls expose light fresh stone and produce crisp triangular highlights on left-facing serifs and hard shadow wedges on right interior walls. Keep generous carved spacing, no overlap. At y=79%, a hairline incised divider follows a natural sediment band. Exhibition details sit in three precise centered tiers below, smaller uppercase Roman capitals, shallow but sharply legible incisions. Archaeological close-up realism, tactile bas-relief depth, stone surface extending edge to edge, matte mineral texture, controlled hierarchy, high-resolution editorial poster photography. Never use neon, gradients, chrome, plastic, smooth vector surfaces, drop shadows, cool light, or printed ink.