“IN ST PETER'S WE HAVE MANY SPECIAL TALENTS ST PETER'S PARISH PRESENTS A PARISH CELEBRATION OF GIFTS & SERVICE SUNDAY · OCTOBER 18 · 2 PM ST PETER'S PARISH HALL” is a Glass Color text effect FontVibe AIで作成した文字エフェクト. 一文字ずつ違う宝石色の、厚く中身の詰まったガラス文字。明るい白いスタジオの床に色の光だまりとコースティクスの扇を落とします.

Create a finished 3:4 vertical parish celebration poster, high-resolution studio photograph of a freestanding stained-glass typographic installation on a matte bright-white plaster plinth. Use the attached references for the stained-glass construction and jewel-tone light behavior. Set the exact text, with precise hierarchy: Small uppercase eyebrow at top: “ST PETER’S PARISH PRESENTS” Main headline across three centered lines, occupying 58% of the canvas height: “IN ST PETER’S” / “WE HAVE MANY” / “SPECIAL TALENTS” Small centered supporting line: “A PARISH CELEBRATION OF GIFTS & SERVICE” Bottom detail line: “SUNDAY · OCTOBER 18 · 2 PM” Bottom venue line: “ST PETER’S PARISH HALL” Build every headline letter as cathedral leaded glass: wide Gothic display skeleton, thick black lead-came perimeter, rounded pointed terminals, compact counters, narrow internal lead channels dividing each stroke into irregular hand-blown glass panes. Cycle the pane colors across ruby red, sapphire blue, emerald green, amber gold, violet, and cyan; use subtle ripples, seed bubbles, and faint uneven transparency inside the panes. The letters have visible physical depth, bright white specular highlights on upper edges, saturated transmitted light through their cores, dark lead seams, and refracted colored edge-lines on their sidewalls. Do not use flat digital text. Place the headline centered and upright with generous white negative space. A small circular stained-glass rose-window medallion, built from the same black lead and jewel panes, sits on the plinth directly below the headline as the hero emblem. Supporting copy is crisp charcoal-black condensed sans-serif, letterspaced, fully legible, printed flat rather than glass. Light the white environment with large softboxes and a warm sun-like beam from upper left passing through the glass. Project crisp multicolored caustic refraction fans and overlapping colored light pools forward across the white plinth and floor. Clean white background, shallow architectural shadow, controlled studio exposure, front-facing symmetrical composition, no people, no extra words, no logos, no candles, no dark cathedral interior.