「DIRTY MONEY EVERY DOLLAR HAS A DEBT A FILM BY MARCUS VANE COMING 2027」は FontVibe AI で作成したシネマティックの文字エフェクトです。あなたのタイトルをハリウッドのポスターのように。霞の中の逆光の一場面、ティールとオレンジの色調、横長のレンズフレア、フィルムの粒子、下三分の一のタイトル。

Vertical theatrical key art for a gritty crime thriller, with the title DIRTY MONEY as the dominant element. Setting: a rain-soaked back alley at night, seen in deep perspective. Wet black asphalt mirrors the light. Steam rises from a grate. Brick walls and fire escapes fall away into dark teal-black haze. At the far end, a lone silhouetted man in a long coat carries a duffel bag and walks away from camera, small, backlit by a warm sodium-amber streetlamp. Volumetric light shafts cut through the mist. Cinematic grade: deep teal-to-black shadows with narrow amber highlights. Fine film grain, a thin anamorphic horizontal lens flare running through the lamp, and a soft dark vignette at the edges. Title: the words "DIRTY" on the first line and "MONEY" on the second, stacked and centred across the middle of the frame, filling about 80% of the canvas width. Letterforms are bold condensed sans-serif capitals with tight letter spacing and strong vertical emphasis. Chromatic aberration is applied to every letter. A red copy is shifted left, a cyan copy is shifted right and a green copy sits centred, so the letter centres burn near-white where all three overlap. Hard, unblended, saturated red fringes sit on the left edges and cyan fringes on the right edges. There is slight horizontal motion blur in the direction of the shift and faint vertical scan lines across the lettering. The title sits in front of the haze and picks up a faint wet reflection on the pavement below. Small crushed-green banknote fragments drift in the air near the letters. Supporting text: above the title, in tiny widely spaced white capitals, "EVERY DOLLAR HAS A DEBT". Beneath the title, a thin billing line in condensed small white capitals, "A FILM BY MARCUS VANE", and at the bottom edge, in the tiny muted style of a release line, "COMING 2027". Strict hierarchy: the title is the largest by far, the tagline and credit are small and quiet, and the lower third holds the dark reflective street.