“Maxsimus” is a Geometric text effect FontVibe AIで作成した文字エフェクト. 円、四角、直線で組み立てたバウハウス風の大文字。赤・青・黄・黒のベタ塗りで、硬いトップライトの下に積み木のように立ちます.

Bauhaus geometric environment: hard overhead directional light — single cold-white source, zero ambient scatter, ruler-sharp geometric shadow edges below all forms. Background plane is architecturally flat: pure black void, deep matte concrete, or stark white plaster. No depth haze, no organic texture, no atmospheric bokeh. Scene vocabulary: Bauhaus workshop geometry, De Stijl primary-color planes, Constructivist poster surface, Swiss grid precision. Primary color atmosphere (always active): flat geometric primary-color planes — signal red, cobalt blue, cadmium yellow — appear as background architectural blocks or compositional color bars alongside the letterforms. Zero gradient, zero sheen. When no specific material is defined by the font: letterforms rendered with Bauhaus primary color flat-paint treatment — each letter one vivid matte hue cycling across the primary palette: signal red, cobalt blue, cadmium yellow, flat black. Hard 45-degree isometric extrusion with pure-black side wall, depth 25% of letter height. Flat matte acrylic surface, zero sheen. Sharp machined edge between color face and extrusion wall. Render the exact text “Maxsimus” as the dominant typographic object in a Bauhaus workshop composition. Each character uses a flat matte acrylic face cycling through signal red, cobalt blue, cadmium yellow, and flat black, with a hard 45-degree isometric extrusion equal to roughly one quarter of the letter height. Every extrusion side wall is pure black, separated from the colored face by razor-clean machined edges. Surround the word with architectural primary-color planes: a cobalt blue rectangular field, a cadmium yellow bar, and a signal red diagonal slab, all perfectly flat with zero gradient, zero gloss, and no texture. Set the composition against a deep matte charcoal concrete plane with faint Swiss-grid construction lines and sparse black geometric blocks. Illuminate with one cold-white overhead directional source only; no ambient fill. Cast dense, ruler-sharp angular shadows beneath every letter and plane. Head-on orthographic camera, controlled negative space, Constructivist poster precision, crisp silhouette separation, no haze, no reflections, no organic materials, no bokeh, no decorative objects.