腕や脚向けの、日本の刺青(和彫り)風の桜の枝のタトゥーデザイン。黒いごつごつした枝に、ピンクの桜、つぼみ、舞い散る花びらが並び、灰色の風の帯、渦巻き、輪郭線の雲が添えられています。花や色、枝の形を変えて、自分だけのタトゥーデザインに作り替えられます。

A Japanese traditional irezumi tattoo design on a plain warm off-white ground, drawn for an artist to redraw and stencil along the ribs. One tall vertical composition with generous empty margin all around. A single flowering cherry branch enters from the upper left and sweeps diagonally down to the lower right, curving gently like the line of the ribcage. The branch is a gnarled, knotted limb drawn with bold, even black outlines and solid black fill, with small angular bark cuts left as bare paper. Along it sit five full cherry blossoms in different angles: front-facing, three-quarter and side views. Each has five notched petals with clean black outlines, petal fills in soft pink graded to bare paper at the centre, and a small cluster of fine black stamens. A few unopened buds and a handful of simple leaves sit on the twigs. Behind and around the branch, long wind bars stream in the same diagonal direction. They are bold black ribbon-like bands that curl into spiral tips at their ends, and a few are filled with black shading that fades smoothly into the paper ground through stepped, hand-drawn gradation. One or two stylised Japanese cloud scrolls with curled edges tuck behind the branch. Petals of varied size fall and tumble along the wind bars toward the lower right. Each is a clean black-outlined shape with soft pink fill, some turned edge-on, thinning out towards the bottom. Linework is bold and confident, with thick outer contours and thinner inner detail lines. Every gap between shapes is open and wide, so the design stays clear at small size on skin. The palette is only soft pink and black on off-white, flat and evenly lit, with no cast shadows, no glow and no photographic rendering. No text, no border, no frame, no banner.