「Kenji」は、砕ける波と牡丹に筆文字の名前を添えた、日本の刺青(irezumi)様式のタトゥーデザインです。波は黒インクにグレーと淡い青の陰影で描かれ、手前に濃い葉をつけた白い牡丹があり、名前は下の中央に配置されています。名前の変更、陰影の色の調整、牡丹を別のモチーフに替えるなどしてアレンジできます。

A small Japanese irezumi tattoo design on a plain pale cream-white ground, drawn as a clean flat reference for a tattoo artist to redraw and stencil on a wrist. One compact horizontal composition, centred with wide empty margins on every side. In the upper two thirds sits a single large crashing wave in the Edo woodblock manner: bold, even black outlines, a rolling curl with three or four claw-like foam fingers at the crest, a few clean concentric swell lines beneath it, and two small curled wind bars drifting off the left and right. One peony in full bloom with a few petals sits tucked against the wave's base, drawn with bold outlines and open petal shapes. Shading is black and grey wash only: smooth graded black deepening at the wave's underside and fading softly into the background, with bare light ground left clear as the highlights on the foam and petals. A restrained single pale grey-blue tint may sit in the water. Below the wave, on a calm clear band, the name "Kenji" is set in heavy hand-brushed block capitals and lowercase as written, in solid flat black ink: thick confident strokes with open counters, wide readable gaps between every letter so no two letters touch or blur, and short angled brush-cut terminals. The name spans about 55% of the design width and is centred under the wave. Strictly only the single word "Kenji" appears as text. No other letters, no banners, no ribbons, no dots, no teardrops, no numbers, no swallows or stars. Flat, evenly lit, hand-drawn line-art look, with no photorealism, no body or skin shown, no cast shadows and no texture on the paper.